Enduring Threads (2024-2025)
As artist-in-residence at the Roundhouse Community Centre, I developed Enduring Threads in response to the public art and dialogue series Poetics of Possibility. The youth program invited participants ages 13–18 to explore how textiles can express identity, resistance, and imagination.
Across both seasons, participants engaged in hands-on workshops that wove together conversation, art history, technique, and material play.
Sessions were guided by weekly prompts—such as “What does endurance mean to you?” and “What change do you hope to see in the world around you?”
Exhibition Overview
Enduring Threads, Binding Memories, and Sound Reflections was on view at the Roundhouse Community Centre from May 1–7, 2025, during BC Youth Week. The exhibition highlighted the voices of young artists from three community centres through textile installations, bookmaking, and soundscapes.
Threads and Reflection
The works in Enduring Threads were developed over a six-week process by six participants who experimented with textile techniques and explored both historical and contemporary fibre art practices—including projects such as the Crochet Coral Reef and Olek’s Injustice. Though each piece is deeply individual, a shared thread wove through the exhibition: expressions of identity, heritage, quiet rebellion, and a relationship to nature—as both a response to climate change and a metaphor for freedom. Some works were left intentionally unfinished, offering a glimpse of what’s still to come.
Pieces of Me, 2025
Indigo and weld dyed cotton, scrap fabric, yarn, cord, rock, personal objects, thread
Léonie Roberts
Special thanks to DB Boyko for the invitation to lead this project; Jannet Cincoleon for working with the centre’s youth; Faune Ybarra for documenting the process; and Kimberly Ho for capturing the exhibition.